splendid thread idea!
here's an idea i had a while ago, that i never finished. (and since i've lost the original project and samples).
it's a tune where all the melodic and harmonic elements are pitched and panned in and out of *controlled* focus using all dopler effects!
so what happens is you get a bunch of long tones and sounds that have very little pitch modulation to begin with, and then using different timings and phases and layers with multiple dopler inserts, you make a chord sort of "morph" into it's final state out of wierd pans, and pitches.....ie) you have a 4 voice chord where each pitch in the chord has a stagered start point, yet comes into the final elongated phase of the dopler at the same time giving a sense of resolve out of a spacial tension.....and obviously, the side that each pitch starts on ends up on the other side of the field....dunno if i'm explaining it properly, but i swear it's cool once you get it happening!
here's an idea i had a while ago, that i never finished. (and since i've lost the original project and samples).
it's a tune where all the melodic and harmonic elements are pitched and panned in and out of *controlled* focus using all dopler effects!
so what happens is you get a bunch of long tones and sounds that have very little pitch modulation to begin with, and then using different timings and phases and layers with multiple dopler inserts, you make a chord sort of "morph" into it's final state out of wierd pans, and pitches.....ie) you have a 4 voice chord where each pitch in the chord has a stagered start point, yet comes into the final elongated phase of the dopler at the same time giving a sense of resolve out of a spacial tension.....and obviously, the side that each pitch starts on ends up on the other side of the field....dunno if i'm explaining it properly, but i swear it's cool once you get it happening!