The Devil's Music

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http://news.bbc.co.uk/1/hi/magazine/4952646.stm

Quote: By Finlo Rohrer
BBC News Magazine

The Devil is said to have the best tunes, but what do they sound like? A new film about the history of heavy metal highlights the so-called Devil's Interval, a musical phenomenon suppressed by the Church in the Middle Ages.

On the surface there might appear to be no link between Black Sabbath, Wagner's Gotterdammerung, West Side Story and the theme tune to the Simpsons.

But all of them rely heavily on tritones, a musical interval that spans three whole tones, like the diminished fifth or augmented fourth. This interval, the gap between two notes played in succession or simultaneously, was branded Diabolus in Musica or the Devil's Interval by medieval musicians.

A rich mythology has grown up around it. Many believe that the Church wanted to eradicate the sounds from its music because it invoked sexual feelings, or that it was genuinely the work of the Devil.

It is a mythology much beloved of long-haired guitar wizards.

In the newly-released documentary Metal: A Headbanger's Journey, bassist Alex Webster of death metal act Cannibal Corpse pays tribute to the effect of the forbidden "Devil's note" on heavy metal.


THE TRITONE IN MUSIC
C
F#
The two notes, sounded simultaneously, in musical notation
Hear the tritone in West Side Story's Maria
And rock producer Bob Ezrin pronounces: "It apparently was the sound used to call up the beast. There is something very sexual about the tritone.

"In the Middle Ages when people were ignorant and scared, when they heard something like that and felt that reaction in their body they thought 'uh oh, here come the Devil'."

It all sounds a little like the plot of a far-fetched Da Vinci Code sequel.

But Professor John Deathridge, King Edward professor of music at King's College London, says the tritone had been consistently linked to evil.

"In medieval theology you have to have some way of presenting the devil. Or if someone in the Roman Catholic Church wanted to portray the crucifixion, it is sometimes used there."

But there were musical treatises and sets of rules produced that did come to forbid the use of the interval, which was seen as wrong when it came up in choruses of monks.

"There are strict musical rules. You aren't allowed to use this particular dissonance. It simply won't work technically, you are taught not to write that interval. But you can read into that a theological ban in the guise of a technical ban."

Wagner a fan

The Devil's Interval enjoyed great popularity among composers in the 19th Century, when "you have got lots of presentations of evil built around the tritone".


It just sounded right - I didn't think I was going to make it Devil music
Black Sabbath's Tony Iommi
"It can sound very spooky. It depends on how you orchestrate. It is also quite exciting," says Professor Deathridge. "[Wagner's] Gotterdammerung has one of the most exciting scenes - a 'pagan', evil scene, the drums and the timpani. It is absolutely terrifying, it is like a black mass.

"There is a big connection between heavy rock music and Wagner. They have cribbed quite a lot from 19th Century music."

A more modern advocate of the tritone is Black Sabbath - the rock outfit led by Ozzy Osbourne - particularly in their signature song, Black Sabbath, a milestone in the genesis of heavy metal.

But this link between heavy metal and musical conjuring of the Devil in the Middle Ages comes as a bit of a surprise to the band's guitarist, Tony Iommi.

"When I started writing Sabbath stuff it was just something that sounded right. I didn't think I was going to make it Devil music," Iommi tells the Magazine.

'False music'

He says he was aiming for "something that sounded really evil and very doomy" but admits he may have been unconsciously influenced by other music and was certainly not aiming to summon the Devil.

Black Sabbath - Tony Iommi bottom left
Sabbath's Tony Iommi was not attempting to invoke the Devil

"Beforehand [we were doing] jazzy blues. It certainly wasn't something I thought about - I didn't read music. I had no terms for anything

"I like all sorts of classical stuff - various sorts of music, jazz, blues, to classical played a big part in my writing."

There are, however, plenty of bands who consciously use tritones, including the notorious metal act Slayer, who offered their tribute in an album simply entitled Diabolus in Musica.

But Anthony Pryer, who runs a postgraduate course in historical musicology, believes heavy metal bands have got the wrong end of the stick "firmly with both hands".

"It was recognised to be a problem in music right back to the 9th Century. It is a natural consequence, and so they banned it. They had rules for getting around it.


DEVILISH EXAMPLES
Beethoven's Fidelio
Wagner's Gotterdammerung
West Side Story's Maria
Simpsons theme tune
Jimi Hendrix's Purple Haze

"It was called Diabolus in Musica by two or three writers in the medieval or renaissance [period]. It was 'false music', the intervals weren't natural.

"They may have thought it was devilishly hard to teach the singers not to sing it. I don't think they ever thought of it as the Devil dwelling in music.

Now the Devil's Interval has a natural home in many genres, particularly film music, jazz and blues, where, says Mr Pryer, it is "quite common because of its association with tension and sinister things".

"A lot of films have what musicians call Captain Tritone in them. As soon as there is a [baddie such as a] foreign officer out comes the Tritone. It's a sort of badge - here's Mr Nasty. What's going to happen?"

Spooky feel

Dissonance does provoke a strange feeling, Mr Pryer says, but it is nothing to do with Satan.

Scene from Wagner's Das Rheingold
Wagner provided the inspiration for some heavy metal
"[Dissonance] is something that yearns to be resolved. A very good example would be the opening of West Side Story, Maria. It wants to resolve into the next note. It is a special kind of tension. It gives that angular, edgy, spooky feel. Film music is often extremely sophisticated at signalling to a listener here is a particular kind of character. It is a leitmotif, first used by Wagner."

Whatever the real story of the Devil's Interval, the romantic linkage between Lucifer and popular music will continue, and stretches back from heavy metal through the Rolling Stones to Robert Johnson and beyond.

Mr Pryer cites Giuseppe Tartini, an 18th Century violin virtuoso who composed the Devil's Trill Sonata, a piece so complicated many modern players struggle to master it.

"He did this incredibly difficult [piece] and claimed in a dream he had heard the devil giving him instructions how to do it.

"Two centuries later, he would probably have been in a heavy metal band."

Metal: A Headbanger's Journey is in cinemas from Friday, 28 April.
spooky.. just the other day i was planning to write a dnb tune using this.
Quote:west side story's maria

i was going to mention this one. we learned west side story for my gcse music course, and the 'devil's interval' was referred to a lot.

slint use it a fair bit too, probably the reason i loooove it so much :d

6 fret crew Falcon
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Don Cherry Wrote:Every human is blessed in her or his life with one love (passion), no matter how long it may last. This Absolute love will last in one's heart and soul forever.
I always seem to gravitate towards tritone intervals when writing basslines.

A sub bass phrase containing the tritone always makes me screw my face.
what a load of twaddle, anyway sub bass only works inabout 1 octave so youd be hard pushed not to. there no such thing as the devil, if you belive that crap your as bad as them god fearing nob heads..hahaha .....music is about life and life is not all sweetness and light

this all comes from america, i bloody hate the way they use rock music, it's a sine of a week mind ..hahaha... neaderthals all they can do is hit things, and blow things up...you dont see them doing it to jungle now do ya.... anyway rock music's about as devil'y as a pair of plasic horns from black pool....dub-nail-step-acid-gabba-core on the other hand that can actualy make you shit your pants ..... gitars and all that listen to them...in the bin

(sorry not all americans are neaderthals, just the ones they put on telly in englang)
EVP Wrote:what a load of twaddle, anyway sub bass only works inabout 1 octave so youd be hard pushed not to. there no such thing as the devil, if you belive that crap your as bad as them god fearing nob heads..hahaha .....music is about life and life is not all sweetness and light

this all comes from america, i bloody hate the way they use rock music, it's a sine of a week mind ..hahaha... neaderthals all they can do is hit things, and blow things up...you dont see them doing it to jungle now do ya.... anyway rock music's about as devil'y as a pair of plasic horns from black pool....dub-nail-step-acid-gabba-core on the other hand that can actualy make you shit your pants ..... gitars and all that listen to them...in the bin

(sorry not all americans are neaderthals, just the ones they put on telly in englang)

Ok
EVP Wrote:what a load of twaddle... it's a sine of a week mind ..hahaha...
telly in englang)

your thoughts are badly obfuscated by bad grammar and spelling. can you start italicizing what is supposed to be sarcastic and bold the parts that are meant to be xenophobic and intolerant?
err ..well your right, it could do with better grammer, dont suppose my sense of humor realy works with text.. not the right place for it

mmm wasnt meant to be taken litraly
almost certainlty the sine of a week mind
Wierdly, I use this and had no idea it had a name. I sneak it into ostensibly gentle piano pieces every once in a while.

I guess I'm just a higgernant ewul hogshead worshipper and didn't even know it.

I suppose there are a lot of devil worshippers on SC, what with all the threads being raised from the dead Wink