RELEASE New Krust on 31 Recordings

I am interested:
Music critic for the Tally Ho

53:00 here:

and 7:00 here:


beats are there to be broken

The question is whether or not the tune works in a set or not. Perhaps I am bound to conformity and a time where sets were built up with momentum, and where minimal tunes kept the vibe although added ebb within the flow of the club's atmosphere. As electronic music, It's decent, yet you can hear that the vibe recedes in the set. It would have worked with more trademark Krust bass edits.

Why is it that a lot of the old guard want to sound exactly the same? Are they using the same templates, presets and effects?

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